Delia Mathews‘ Odette is one of the most exquisite characterisations of the role I have ever had the pleasure to see. (Her Odette is excellent too.) Rarely have I been more moved by the slow story of new love which is the Act II pas de deux. Mathews found the lyricism inherent in the narrative, and matched it with dancing that was beautifully serene. Steps were unrushed and were given “soul”. She found the drama in the dancing.