Swan Lake: Retrospective and Awards

Here’s a brief reflection on the Royal Ballet’s Swans and other denizens of Swan Lake I have seen this season live.

The Operatunist’s Royal Ballet’s Swan Lake 2015 awards 😀

  • Best Odette overall: Salenko/Nunez tie (Salenko for dance, Nunez for acting)
  • Best Odile: Osipova
  • Best all rounder: Nunez
  • Best Act II pdd: Obraztsova
  • Best acted Odette: Nunez, no contest.
  • Best acted Siegfried: Golding from far away. Less so in cinema.
  • Best Siegfried: all have good traits. I will go with Golding.
  • Best Pas De Trois guy: James Hay
  • Best PDT girls: Yuhui Choe and Francesca Hayward
  • Best Neapolitan boy: James Hay
  • Best Neapolitan girl: Yasmine Naghdi
  • Best von Rothbart: (c’mon…no contest) GARY AVIS!
  • Best couple I saw: Salenko and McRae
  • Ideal couple: Golding and Obraztsova
  • Honourable mentions: Melissa Hamilton as one of Two Swans.
  • Best conductor: Boris Gruzin ^___^
  • Most disappointing: Osipova’s Odette.
  • Most impressive: Osipova’s Odile 😀

Fond memories

  • Golding’s Waltz moment, and his leap to the death
  • Salenko’s beating wings from deep cambré
  • Nunez’s re-enchantment and her ‘wait, boy.’ finger in the mime
  • James Hay’s gorgeous tours
  • Melissa Hamilton and sisters rising on pointe to circle Odette
  • Talented baby swans!
  • Osipova’s crazy fouetté combo
  • Takada’s échappés
  • Obraztsova’s lyricism and time stopping lifts
  • McRae’s billion mile an hour turns in Act III
  • The jocular cook
  • Girls on pointe on stools
  • The beautiful Act II curtain
  • The very lovely (at times rickety) swansleigh to heaven
  • Vadim Muntagirov
  • the Rothbart imps (one being swatted with a fan)
  • Marriott’s Rothbart’s ‘WOOO!’ face at the Queen
  • Hearing Tchaikovsky’s gorgeous music so much.

I hope the Dowell production informs any new production. Rumour has it that Liam Scarlett may be attached to the project. Although Act I is very fussy, and very orange and Act III is too dark for some, literally – it is I gather textually pure. For this reason I am glad to have seen it.

Hopes:
Let’s keep the Ashton Neapolitan and the baby swans. Doing away with the Rothbart costume would be ideal – as would a wholesale tidying up of costumes in the non white acts. (Too much distraction!) I wouldn’t mine tulle or tutu for the swans. Let’s not get too neoclassical for the choreography. The Dowell text is largely fine, as is the musical editing. Ok, so the tutor could probably get kicked but no Jester, and no fishdives either! Set it back in fairytale-land. And, keep the sad ending!

(Hope you’re reading, Liam. I’ll be glad to help out. :P)

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3 comments

  1. Smiled at the Awards and Memories, especially “Marriott’s Rothbart’s ‘WOOO!’ face at the Queen.”
    Also, remembering Anka Mulhstein’s article about dinner with Jerome Robbins and his thoughts on the ballet and Proust.

    Liked by 1 person

    1. It was such an evil, nasty, yet funny face! She was almost fainting from shock and he did that, a lot like the Joker in the 1960s Batman TV show actually! I have not read Ms M’s thoughts on Jerome, nor his thoughts on Proust!

      Like

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